It is worth seeing Enormous Changes at the Last Minute movie (Enormous Changes).
Movie Is being made - in 1983.
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This broadcast be made conscious of three segment that allotment no plan but enjoy a basic thematic empathy. In the preparatory segment, Virginia and her three brood be departed through her shiftless husband and she is court by an mature beau who is immediately married. In the second, a rupture female react to numerous sudden revelation from her aged father. In the third, childless, middle-aged civic member of staff is sweep into an affair near hackney horse-drawn carriage driver Dennis, and find herself having a baby.
Color Info: Color
Countries: USA
Genres: Drama
Languages: English
Runtimes: 104
Sound Mix: Mono
Tech Info: OFM:35 mm, PFM:35 mm
Release Dates: Canada:13 September 1983, USA:11 April 1985
In movie played:
Joseph Abbott (actor)
Kevin Bacon (actor)
Articles: "Minneapolis Star Tribune" (USA), 15 February 2009, by: Neal Justin, "Bacon's Best Work", "Parade" (USA), 15 February 2009, pg. 18, by: James Brady, "In Step With: Kevin Bacon", "San Jose Mercury News" (USA), 31 December 2008, by: Associated Press, "Actors Bacon, Sedgwick Among Madoff Victims", "Moving Pictures Magazine" (USA), 14 July 2007, Vol. 2007, Iss. Summer, pg. 30-37, by: Elliot V. Kotek, "Kevin Bacon's Death Wish", "Entertainment Weekly" (USA), 24 December 2004, Vol. 1, Iss. 798, pg. 38-41, by: Missy Schwartz, ""Zero Degrees"", "The Los Angeles Times" (USA), 21 December 2004, by: Mary McNamara, "Sum of His Parts", "TimeOut" (Japan), December 2003, Iss. 322, pg. 32, by: Miwa Hirai, "Trapped", "Cinefantastique" (USA), October 2000, Vol. 32, Iss. 3, pg. 59, by: Chuck Wagner, "Hollow Man: Kevin Bacon", "US weekly" (USA), 14 August 2000, pg. 74-77, by: Phoebe Hoban, "The (nth) Degree of Kevin Bacon", "Entertainment Weekly" (USA), 11 August 2000, Vol. 1, Iss. 554, pg. 31-37, by: Kevin Bacon, "Diary Of A Hollow Man, Part 2 of 2", "Entertainment Weekly" (USA), 4 August 2000, Vol. 1, Iss. 553, pg. 31-39, by: Kevin Bacon, "Diary Of A Hollow Man, Part 1 of 2", "Empire" (UK), June 2000, Iss. 132, pg. 84-85+89, by: Jeff Dawson, "Six Slices of Bacon"
(1995) Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#61)., Dated 'Tracy Pollan' (qv)., Attended the prestigious Julia Reynolds Masterman Laboratory and Demonstration School in Philadelphia with his brother, Michael., Inspired a game called Six Degrees of Kevin Bacon, whereby people have to link any given actor to him by no more than six steps. For instance, to do 'Fred MacMurray' (qv), you could observe that MacMurray worked with 'Lee Marvin' (qv) in _The Caine Mutiny (1954)_ (qv), which is one step; and Marvin worked with 'Jane Fonda' (qv) in _Cat Ballou (1965)_ (qv), which is two steps; and Fonda worked with 'Jack Lemmon (I)' (qv) in _The China Syndrome (1979)_ (qv), which is three steps; and Lemmon worked with Bacon in _JFK (1991)_ (qv), which completes the link in four steps. Harder versions of the game exist, limiting the player to five, four or even three steps. The original version of this game existed for numerous years and the pivot-person was then Paul Erdös, a mathematician (one's Erdös number measures the number of people a scientist is away from having authored a paper with Dr. Erdös). A very few people, mostly scientists who have appeared in documentaries (such as Carl Sagan), or actors who have also co-authored scientific papers (such as Danica McKellar and Natalie Portman), have both Erdös AND Bacon numbers., Attended the Pennsylvania Governor's School for the Arts., He was the first choice for the 'Charlie Sheen (I)' (qv) part in _Being John Malkovich (1999)_ (qv)., Is part of The Bacon Brothers, with brother 'Michael Bacon (I)' (qv). The band has released three albums: "Forosoco" (1997), "Getting There" (1999) and "Can't Complain" (2001)., He sang with brother 'Michael Bacon (I)' (qv) (who played guitar) in New York in a small club/coffee shop., His father was Edmund Bacon, a famous Philadelphia city planner. His mother was Ruth Bacon, a teacher and liberal political activist., Son, 'Travis Bacon' (qv) (born June 23, 1989), with wife 'Kyra Sedgwick' (qv)., Daughter, 'Sosie Bacon' (qv), was born on March 15, 1992, with wife 'Kyra Sedgwick' (qv)., Has never lived in Hollywood or Los Angeles., The family dog, a mutt, is called Paulie., Met wife 'Kyra Sedgwick' (qv) on the set of _Lemon Sky (1988) (TV)_ (qv)., Lives in NY with wife 'Kyra Sedgwick' (qv) and their 2 kids., In preparation for his role in _Telling Lies in America (1997)_ (qv), he "hung out" in the radio studio with and based his on-air banter on his friend 'Jerry Blavat' (qv), the celebrated oldies DJ from Philadelphia and an inductee in the Rock and Roll Hall of Fame; aka the "Geator with the Heater"., Brother-in-law of 'Robert Sedgwick' (qv)., His father was a seventh cousin of President 'Richard Nixon' (qv)., Is a fifth cousin of William Thomas Hamill Jr., married to Virginia Suzanne Johnson, the parents of 'Mark Hamill (I)' (qv)., American-born Canadian actor 'Philip Nozuka' (qv), 'George Nozuka' (qv) and 'Justin Nozuka' (qv), are his nephews through his wife, 'Kyra Sedgwick' (qv)'s side of the family., His line, "I am a G-damn genius", is quoted in both _Hollow Man (2000)_ (qv) and _Trapped (2002)_ (qv)., In _Quicksilver (1986)_ (qv) and _A Few Good Men (1992)_ (qv), his characters are both nicknamed "Smiling Jack"., Actor 'Girard Swan' (qv) worked as his stand-in on the new 'Ron Howard (I)' (qv) film _Frost/Nixon (2008)_ (qv)., Received a star on the Hollywood Walk of Fame., Kevin Bacon was the last interview of PARADE's "In Step With..." columnist James Brady, who passed away on January 26, 2009. The interview of Kevin Bacon appeared in the February 15, 2009 issue of PARADE magazine., Lost an undisclosed amount of money in the 'Bernard Madoff' (qv) scandal., Has a vacation farmhouse in Litchfield Hills, Connecticut.
Pictorials: "Playboy" (USA), December 2005, Vol. 52, Iss. 12, pg. 94, by: Stephen Rebello, "Sex in Cinema 2005", "Playboy" (USA), November 1991, Vol. 38, Iss. 11, pg. 140, by: Bruce Williamson, "Sex In Cinema 1991"
Trademarks: Often appears in large ensemble pieces, leading to the ease of many "six degrees" games, Frequently plays anti-heroic protagonists
Interviews: "The Sunday Times" (UK), 9 September 2007, by: Mark Anstead, "On the move: Kevin Bacon", "Moving Pictures Magazine" (USA), 14 July 2007, Vol. 2007, Iss. Summer, pg. 30-37, by: Elliot V. Kotek, "Kevin Bacon's Death Wish", "MAD" (Belgium), 2 March 2005, pg. 4, by: Fabienne Bradfer, "Hollywood ne changera pas l'acteur Kevin Bacon", "Independent" (UK), 21 February 2005, by: Liese Spencer, "Kevin Bacon: 'I still want to kick ass and get the girl'", "Premiere" (USA), February 2005, Vol. 18, Iss. 5, pg. 52, by: Premiere Readers, ""General Admission"", "The Observer" (UK), 19 October 2003, by: Ian Tucker, "The fabulous Bacon boy", "Parade" (USA), 25 August 2002, Vol. -, Iss. -, pg. 4-5, by: Tom Seligson, "Yes, He's Driven - By Love", "Maxim" (USA), August 2000, Vol. 4, Iss. 8, pg. 74-75, by: Bob Ivry, "Kevin Bacon" "US weekly" (USA), 14 August 2000, pg. 74-77, by: Phoebe Hoban, "The (nth) Degree of Kevin Bacon", "USA Weekend" (USA), 28 July 2000, pg. 10, "Getting invisible with the versatile Kevin Bacon", "Ocean Drive" (USA), Summer 1999, pg. 232-234, by: Jeanne Wolf, "Kevin Bacon", "Cinemanía" (Mexico), June 1998, Vol. 2, Iss. 21, pg. 46, by: Joaquín Rodríguez, "Salvajes de corazón: Kevin Bacon", "Video Eyeball" (USA), 1998, Vol. 3, Iss. 2, pg. 12-15, by: Paul Sherman, "Kevin Bacon", "Empire" (UK), 1996, Iss. 79, pg. 59, by: Mark Salisbury, "Fangoria Horror Spectacular" (USA), 1991, Iss. 4, pg. 23-25, by: Marc Shapiro, "Kevin Bacon's Near-Death Experience", "Empire" (UK), December 1990, Iss. 18, pg. 46, by: Philip Thomas, "Profiles: Kevin Bacon"
Kevin Bacon's untimely taming next to technique of an entertainer come from The Manning Street. His debut as the rigid Chip Diller encircled by _Animal House (1978)_ (qv) almost seem equivalent to an space filler ploy, but he manage to attain out of almost overlooked from that role. _Diner (1982)_ (qv) become the junction thorn after a twosome of TV cable and miscellaneous less-than-memorable hoary eyeshade role. In a composition of soon-to-be star, he higher than held his close aloft, and we saw a glimpse of the valid lunatic ocular rendering of The Bacon. He also starred in _Footloose (1984)_ (qv), in _She's Having a Baby (1988)_ (qv), in _Tremors (1990)_ (qv) with 'Fred Ward (I)' (qv), in _Flatliners (1990)_ (qv), and in _Apollo 13 (1995)_ (qv).
Height: 5' 10 1/2"
Quotes: There are two types of actors: those who say they don't want to be famous and those who are liars., I think of myself more as a workhorse actor. It will be hot and cold and up and down, but no one will kick me out of the business., [about his preference for being nude when at home] There's something therapeutic about nudity. Clothing is one of the external things about a character. Take away the Gucci or Levis and we're all the same. But not when the nanny is around. But I will with my wife and kids., [on his wife, 'Kyra Sedgwick' (qv)] Kyra is a woman who made all the wrong choices when it comes to being an actress. She got married too young, had a kid and then had another kid., [on L.A.] That's where the industry is. There is a tremendous amount of business you can do just by walking through restaurants and just being there., I want to see the numbers that prove that show-business marriages are any less successful than other marriages. It's just very public when they fail., [on the Oscar season] I call it the bitter season, because year after year, I've seen it come and go and not been a member of the club. And yet I've continued to make a living as an actor., I think of being an actor as kind of a young man's gig. It's emasculating, in a way, people messing with you and putting make-up on you and telling you when to wake up and when to go to sleep, holding your hand to cross the street. I can do it up to a certain point and then I start to feel like a puppet., [on playing a pedophile in _The Woodsman (2004)_ (qv)] I don't have people who would advise me against this based on some sort of "image". At some point you have to decide if you're going to be a personality or you're going to be an actor. If playing this kind of a role could have a negative effect on my public personality, I don't care. I'll play anything, if I think there's something compelling, or there's a director I'm dying to work with, or a part I hadn't done before or a co-star I think is great., A long time ago, when I was a kid, I wanted to be a pop star. Then I started taking acting classes. I moved to New York when I was a teenager, and really wanted to be a serious actor. I wanted to do off-Broadway, I wanted to do ['Anton Chekhov' (qv)], ['William Shakespeare (I)' (qv)]. I wanted to have a 'Meryl Streep' (qv) kind of career. When _Footloose (1984)_ (qv) came out, I became a pop star, but by then that's not what I wanted. I wasn't being taken seriously. I wasn't smart about the industry and the ways that you can parlay pop stardom into a serious acting career if you make the right choices. I spun my wheels for a while, and then I got this part in 'Oliver Stone (I)' (qv)'s _JFK (1991)_ (qv). It's a small part, but very character-driven: gay, fascist, I mean, it was extreme. That turned things around for me. I didn't even read for it. Oliver just looked at me and said, "Will you transform yourself for me?" And I said, "Yes". Off-Broadway I'd been doing that, but that doesn't mean anybody in the movie industry is going to see you that way., You can sit around and complain that Hollywood doesn't make any good movies. But you can generate your own material. So I read books. I come up with ideas. I was the producer on _The Woodsman (2004)_ (qv) to help get that off the ground. Sometimes that extends itself to directing., I've heard people say you have to love the characters you play. I don't feel that way. I've played a lot of people that I don't love at all. What's important to me is to try to make them real., And life has taught me that if I am to have a satisfying career, I have to take three things out of the mix. The first is the size of my part. The second is the size of the budget. And the third is the size of my salary. Once you get rid of those things, your possibilities exponentially explode. You get to work with the directors who matter. You get to make movies like _The Woodsman (2004)_ (qv)., There are two types of actors: performers and personalities., [on watching his early performances] I never go back and watch myself. I'll see a film when it's new, maybe twice, but then not for years. If I'm flicking channels on TV and one of them is on, I flick right past it. It's so hard. If I looked at it I'd go, "Aw shit, I should have done this, done that". A lot of stuff about my past work bugs me. I guess I'm only seeing the faults., [on keeping a successful marriage] Keep your fights clean and your sex dirty., [On preparing for his role in _Apollo 13 (1995)_ (qv)] Ron [Howard] called me up and said, "we're going up on this zero-G airplane and we, uh - for research. You don't have to go. You don't have to go. Absolutely no pressure. If you don't want to go, you don't have to go. Tom's gonna go. Gary's gonna go. Bill's gonna go. I'm gonna go." You know, everybody was going to go, so of course I'm not going to look like an idiot, you know, I mean I... there is a certain element of my personality that is *slightly* male., Initially, I wasn't offered the part. I was walking up the beach in Willowbridge, the British West Indies on Christmas Eve and saw this guy who I know peripherally. He's not in the film industry, but in Philadelphia real estate or something like that. He said, 'They sent me this script and asked me to invest in it' and told me there was another actor involved. That's all he said. He told me to take a look at it and let him know if it was a good investment. Normally, I would never take a screenplay under those conditions. You can't read everything. You'd spend your whole life reading scripts from people on beaches. I got home on January 2nd or 3rd and it was sitting there. I picked it up and read it and a barrage of feelings washed over me -- anger, disgust, confusion, and compassion, feeling angry with myself for feeling compassionate. I put it down and knew that it was probably going to be my next movie. (On The Woodsman), All roles are hard in different ways. Some are physical. Actually the hardest role physically I did was the Hollow Man and I was invisible in the movie. But it was incredibly, physically taxing and it got delayed. Murder in the First was both physically and emotionally terribly difficult.
Ryan Brown (actor)
Lou Criscuolo (actor)
Jeffrey DeMunn (actor)
Giancarlo Esposito (actor)
Justin Freiman (actor)
Steven Gilborn (actor)
Carlo Imperato (actor)
Ron McLarty (actor)
Brian Morrow (actor)
Zvee Scooler (actor)
David Strathairn (actor)
John Wardwell (actor)
Yudie Bank (actress)
Ellen Barkin (actress)
Fay Bernardi (actress)
Sudie Bond (actress)
Jewel Brimage (actress)
Tisa Chang (actress)
Rosemary De Angelis (actress)
Minona Havilland (actress)
Marta Kober (actress)
Eda Reiss Merin (actress)
Lynn Milgrim (actress)
Maria Tucci (actress)
Didi Velez (actress)
Mirra Bank (producer)
Terry Benes (producer)
Jan Saunders (producer)
Grace Paley (writer)
Susan Rice (writer)
John Sayles (writer)
Tom McDonough (cinematographer)
Peter Link (composer)
Kay Preston Stine (costume designer)
Mirra Bank (director)
Ellen Hovde (director)
Muffie Meyer (director)
Mirra Bank (editor)
Ellen Hovde (editor)
Muffie Meyer (editor)
Trudy Bagdon (miscellaneous crew)
Murphy Birdsall (miscellaneous crew)
Joshua Blum (miscellaneous crew)
Rebecca Brizee (miscellaneous crew)
Pat Depew (miscellaneous crew)
Kim Ellis (miscellaneous crew)
Jeff Elzinga (miscellaneous crew)
Laura Ewig (miscellaneous crew)
Karen Glass (miscellaneous crew)
Ellen Goldsmith (miscellaneous crew)
Mary A. Kelly (miscellaneous crew)
Sarah Kozloff (miscellaneous crew)
Nita McDonough (miscellaneous crew)
Susan Smith (miscellaneous crew)
Meri Weingarten (miscellaneous crew)
Christine Williams (miscellaneous crew)
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